Pale glass and fin facade of The Quiet Interior building

The Quiet Interior

The Quiet Interior

Fig. 01 — The Quiet Interior

Fig. 01 — The Quiet Interior

Third floor of a 1930s apartment building

Third floor of a 1930s apartment building

Location

City apartment

Year

2026

Area

190 m²

Status

In progress

Client

Private client

Scope

Interior architecture, furniture, lighting

Duration

14 months, furniture ongoing

Site

Third floor of a 1930s apartment building

Warmth in restraint: stone, oak and linen, and nothing that does not belong.

Warmth in restraint. Stone, oak and linen, with everything unnecessary left out.

A complete interior for an existing apartment. Walls were opened to connect the living spaces to the light, joinery absorbs storage, and a single stone was carried through floors, surfaces and the fireplace. The work is ongoing, with furniture and lighting now in development.

Aa

The living room in afternoon light

The living room in afternoon light

01

A low console against a white wall

A low console against a white wall

02

The sitting room and its tall windows

The sitting room and its tall windows

03

From brief to building.

The question we were asked, how we answered it, and what changed once people moved in.

01

The challenge

A dark, subdivided apartment in a listed 1930s building, where structural walls could not move and every new element had to be reversible.

02

Our approach

We opened the later partitions to connect the rooms to the street-side windows, absorbed all storage into a single oak joinery wall, and carried one stone through the floors, the kitchen and the fireplace.

03

The outcome

Daylight now reaches the back of the plan for most of the day. Construction is complete, and bespoke furniture and lighting are in development with local makers.

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Rooms joined into one

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Stone used throughout

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Months, furniture in progress

Stone, linen and soft grey light

Stone, linen and soft grey light

Stone, oak and linen.

Few materials, carried through every room so the apartment reads as one calm space.

Floors and surfaces

Ceppo di Gré

One stone carried through the floors, the kitchen and the fireplace.

Floors and surfaces

Ceppo di Gré

One stone carried through the floors, the kitchen and the fireplace.

Joinery

Fumed oak

A single wall of storage that hides everything the rooms do not need to show.

Joinery

Fumed oak

A single wall of storage that hides everything the rooms do not need to show.

Walls

Mineral paint

A soft, chalky finish that keeps the daylight diffuse.

Walls

Mineral paint

A soft, chalky finish that keeps the daylight diffuse.

Textiles

Undyed linen

Curtains and upholstery that move with the air and age gently.

Textiles

Undyed linen

Curtains and upholstery that move with the air and age gently.

“Warmth in restraint is harder than it looks. Every element has to earn its place.”

ARCHEA, project notes

Architecture

ARCHEA

Interior design

Ines Albrecht

Structure

Structura Consulting

Landscape

Atelier Verde

Builder

Hart Interiors

Photography

Studio Lumen

White block of The Garden Pavilion against soft clouds

Next project

The Garden Pavilion

View project →

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